HYMN 5 Nobody Knows the Trouble I've Seen

1 Peter 5:7 Text: Anonymous Tune: Negro Spiritual 1. Nobody knows the trouble I've been through Nobody knows but Jesus. Nobody knows the trouble I've seen Glory hallelujah! 2. Sometimes I'm up, sometimes I'm down Oh, yes, Lord Sometimes I'm almost to the ground Oh, yes, Lord 3. Although you see me going 'long so Oh, yes, Lord I have my trials here below Oh, yes, Lord 4. I never will forget that day Oh, yes, Lord, When Jesus took my sins away, Glory, hallelujah! Negro Spiritual 1867 MEDITATION Some years ago, a friend of mine, noticed that every day about noon, a middle-aged woman entered the beautiful Baroque church sanctuary and sat there weeping. This went on for some time. One day, my friend went to her and asked if she could help. The woman looked up and pointed to the beautiful paintings of Jesus suffering. She noted, “I live a very successful and stressful life, and am expected to be cheerful all the time. Here is the only place I know where suffering is known and allowed.” She named a truth we often forget about our faith. It knows suffering. Jesus went to the depths of hell for us and knows our sorrows as no one else does. Even in these times, our troubles can still be unuttered; even those closest to us, may not know what is nagging away at us. The spirituals express sorrows few of us can imagine, but they give us words to express our own sorrows. This spiritual speaks the truth and preaches the good news to us: Jesus knows all our troubles, better than we do ourselves. Scripture (I Peter 5:6-11) says that we should cast all our cares upon him, because he cares for us. “Remain firm in your faith, knowing that the same kinds of suffering are being experienced by your brotherhood through the world. And after you have suffered a little while, the God of all grace, who has called you to his eternal glory in Christ, will restore, confirm, strengthen, and establish you.” We know everyone is suffering, we live in hope for his glory. HYMN INFO This spiritual was published in the book of spirituals printed in 1867. In 1871, the Fisk Jubilee Singers, from Fisk University, in Nashville, began touring the country singing spirituals plus other popular songs, some by Stephen Foster, to raise money for the school. They did so at great cost, braving the racism of the day, but also bringing these great treasures to light. Their efforts in teaching the spirituals brought them to notice and put them firmly in the American treasury of song. By the turn of the 19th century, with the encouragement of Antonin Dvorak, African American composers like Henry Thacker (Harry) Burleigh (1866-1949), began setting them into songs that became what we would call art songs. Marian Anderson began her recording career with this song, among others. It became standard in the repertoires of singing groups around the world. Scandinavian treasured spirituals as well and became passionate appreciators of jazz. After WWII, African American jazz musicians performed there; some even made their homes in Norway or Sweden. The Deep River Boys recorded the spiritual in Oslo during a stay in Norway and Sweden during the 1950s. LINKS Deep River Boys https://youtu.be/TtmVPlOStNk While many of you know the song from recordings by Louie Armstrong or Mahalia Jackson, and you can find many of them on Youtube next to these links, I am sharing a performance you may not know of, by Alice Babs, the Swedish soprano of the twentieth century. Duke Ellington loved her voice and recorded with her on several occasions for good reason. Alice Babs https://youtu.be/brN6inSmxtk

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