HYMN 14 If Thou But Suffer God to Guide Thee

Updated: May 3, 2020

German: Wer nur den lieben Gott

Text: Georg Neumark (1621-1681) Tune: Georg Neumark (1621-1681)

1. If thou but suffer God to guide thee,

Georg Neumark

And hope in him through all your ways,

He'll give thee strength, whate'er betide thee,

And bear thee through the evil days:

Who trusts in God's unchanging love

Builds on the Rock that naught can move.

2. What can these anxious cares avail thee,

These never ceasing moans and sighs?

What can it help, if thou bewail thee

O'er each dark moment as it flies?

Our cross and trials do but press

The heavier for our bitterness.

3. Only be still, and wait his leisure

In cheerful hope, with heart content

To take whate'er thy Father's pleasure

And all-discerning love hath sent;

Nor doubt our inmost wants are known

To him who chose us for his own.

4. All are alike before the Highest;

'Tis easy to our God, we know,

To raise thee up, though low thou liest,

To make the rich man poor and low;

True wonders still by him are wrought,

Who setteth up and brings to naught.

5. Sing, pray, and keep his ways unswerving,

So do thine own part faithfully,

And trust his Word--though undeserving,

Thou yet shalt find it true for thee;

God never yet forsook at need

The soul that trusted him indeed.

Tr. Catherine Winkworth


The Christian life is like being a weaver, an old pastor said. You back into the future and see your past taking shape in the design as you move away from it. Sometimes what you thought was a disaster, takes on colors and hints that change what you thought of the experience as you move away from it and gain perspective. You may be able to see God’s work where you had not been able to in the heat of the moment.

This hymn, tune and text by Georg Neumark (1621-1681), is one of the most comforting and beautiful hymns to explore that truth. Like many hymns, it was written after a situation of almost unmitigated disaster. Neumark, born just after the Thirty Years War began to ravage Europe, especially the many German territories, was traveling to matriculate at the university in Königsberg in Prussia, now known as Kalingrad, Russia. He was just eighteen.

On his way there, to assure his safety in those dangerous times, he traveled with some merchants on their way to a fair. They were attacked by robbers. Neumark lost almost all his possessions, escaping with only the clothes on his back, a prayer book, and a small purse sewn into his clothes. He was destitute. For the next two years he lived in grinding poverty, trying to find a job. Given the uncertainty of the times, he could not find one. After two years, in 1641, he found a position tutoring a family in Kiel, on the eastern shores of the Jutland peninsula of Holstein. Neumark wrote, “This good fortune, which came so suddenly and, as it were, from heaven, so rejoiced my heart that I wrote my hymn, ‘If thou but trust in God,’ to the glory of my God on that first day.”

He did not write the hymn in the middle of his suffering, but only after he could look back on it and see it as part of a larger pattern in his life with God. Then he could interpret the incident and see that God had worked in him through those awful times. No doubt what he thought about his suffering changed some as he got older. The hymn, however, is not about looking back. We can sing it and meditate on it in the middle of a crisis like we are suffering now, with hope, trusting that God will soon change how we see this strange time.

Neumark says it in his last stanza, “Sing, pray, and keep his ways unswerving,/so do thine own part faithfully,/and trust his Word—though undeserving/ thou yet shalt find it true

for thee.”


For a wonderful evening entertainment in your confinement, watch the movie Babette’s Feast. After the feast the group retires to the living room to hear this hymn played on the piano. A liminal moment.

National Lutheran Choir

This great chorale became the basis for Cantata 93 by J. S. Bach. Here is one performance directed by Nicolas Harnoncourt. The text of the cantata follows closely each stanza of the original. I have not included stanzas 4 and 5 of the original, but you can figure that out. It is a comfort to hear and read the texts which elaborate on the theme of the hymn so beautifully.

for a translation of the Bach cantata go here

Mendelssohn wrote a cantata on the hymn for soprano, choir and strings:

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