HYMN FOR NINTH SUNDAY AFTER PENTECOST I Know a Kingdom...
- Gracia Grindal
- 1 day ago
- 4 min read
Danish: Jeg ved et evigt himmerig
German: Ich weiss ein ewiges Himmelreich
Norwegian: Eg veit i himmelen ei borg
Text: Hans Christensen Sthen (1544-1610) Tune: Hallingdal Folktune
Congregation: 1. I know a kingdom without end,
Where shines a bright tomorrow.
There is no weeping there, nor sin,
No any tears of sorrow.
Congregation: 2. Within it dwells God’s only Son
In splendor and in glory;
My hope and comfort, he’s the one
Who waits in heaven for me.
Congregation: 3. A pilgrim here, I’m on my way,
Away from my deceiver.
I’m bound for heav’n, I long to be
Beside the crystal river.
Christ: 4. I have redeemed you with my blood
And I will come to greet you.
I’ll fill your heart with all things good,
With joy and gladness meet you.
5. My word and holy sacraments
I graciously have given.
I take into myself your sins
To make your home in heaven.
6. When gold and joy lose their allure
And worldly things assail you,
I’m waiting here to reassure
Your faith, for I’ll not fail you.
Congregation: 7. Into the world I naked came.
Now all that I have gathered
I leave behind without a claim
When passing through death’s waters.
8. And this I know, one morning bright
When death’s dark night is over,
My body will arise from night
And heav’nly joys discover.
9. So help us, dear Lord Jesus Christ;
Your blood for us was given,
Your bitter death and sacrifice
Has won for us bright heaven.
10. I thank you Lord eternally,
My gracious God forever,
For you have been so kind to me
In Jesus Christ our Savior!
Tr. Gracia Grindal
MEDITATION
(Once again I am using an older blog as my eyes make writing difficult. I am having a corneal transplant on July 22 so things should be better next week.) Jesus in the parables for next Sunday speaks of how precious the kingdom of heaven is by showing how people in this world desire great and beautiful treasures. The hymn shows the kingdom in different images.
When hymn texts are translated from one language to another, it is probably not mainly for what they say, but the tune they are associated with. A beautiful melody is universal and people want to sing it. They need words. Poets who love music want to make it available to people in their own language. This hymn was on the lips of many medieval people in Northern Europe, scholars say. Where it started is vague. It clearly had German roots. The melody, however, was not this one. The text has been in the hymnals of Danes since the Reformation. I grew up with it in the Concordia Hymnal. It is where I first saw the strange name of the Danish pastor Hans Christensen Sthen. The spelling always interested me. He preceded the three great Danes of hymnody, and was a worthy poet.
Then I started seeing it on CDs of religious folk/pop and choral singers in the north. The text was longer than what was in our hymnal and involved a dialogue between Christ and the congregation. But what grabbed me was its beautiful folk tune. Its beauty and longing for the heavenly kingdom are simply transfixing. Performances range from classical choral to rock and roll.
A text longing for release from this world is not what the hedonists of our generation might be interested in, but here we have it. It has been very popular. Up against death the song teaches, the allures of the world do not count for much. We need something eternal. I am glad it is popular. Beauty is a tool for evangelism. And the church has much beauty to tell.
It is likely that as some of those who came to love the hymn face their pilgrimage over the river, the words they sang in their youth will sound in their heads as they begin the journey. We know how even those with severe Alzheimers can remember words of songs long after they have lost the ability to have a conversation. What better reasons to have beautiful melodies with gospel words for people to sing: “When death’s dark night is over, /My body will arise from night/ And heav’nly joys discover.” The words teach them the way of salvation, how Jesus' sacrifice has won us heaven. So lovely, so true. God works in mysterious ways his wonders to perform!
HYMN INFO
Sthen was a pastor in the kingdom of Denmark, which at the time included much of southern Sweden, or Skåne, right across the water from Copenhagen. He heard the German version of this and translated it for inclusion in his En liden Vandringsbog before 1600. It was included in Danish collections until Kingo in 1699 who did not use it, but it remained in the memory.
It was translated into Nynorsk by Bernt Støylen in 1905 and has become a constant presence in the repertoires of Gospel singers. It is a little difficult for a congregation, but people love to hear it.
LINKS
Sissel with the Mormon Tabernacle Choir
Embledamene/Woman’s Choir
Anne Lise Berntsen and Nils Asheim
Tor Gustafson Quartet/jazz version
SKRUK
Saxophone and Organ
Sissel in 1995
__________________________________________
As you plan for Bible study in your congreegation or in your own personal devotions this coming year, this collection of sonnets on the life of Jesus drawn from all of Scripture might be a resource for you. Scholars are coming more and more to show Jesus as the fulfillment of the OT prophecies and this book helps with that study.
"With these 366 sonnets, remarkable in artistry and number, Gracia Grindal has made literary history. The scriptural and theological knowledge that supports these poems is vast, but it is the imagination infused with the holy in poem after poem that reveals the poet's grace and skill and the astonishing work of the Spirit." --Jill Baumgartner, Poetry Editor, Christian Century, and professor of English emerita, Wheaton College